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The Man In The Wood

by YAAROTH

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1.
2.
Cold sighs shutter and spread through Peaked roofs covered in shingle and snow Silent streets where no step echoes Doorways framed by dull fire glow White church glares from its hill near Gravestones crooked and battered by time Grotesque steeple reaches upward Grasping at stars set in the sky Dark men forgotten and old brought Orchids plucked from southerly lands Rituals lost to blue-eyed fishers None that still live understand Black robes cover their features Creaking limbs sound terrible hums Wood doors slam as they assemble With wax hands they beckon me come In lines they shuffle toward the hill Inside the church floor opens In vain resistance I stand still, But then I’m drawn into the opening Descending deep into the cavern Down stairways carved from living stone The dripping walls growl in the shadows The clicking chatter of wet bones Procession sets upon a clearing In squirming earth and fungal forms A distant piper sounds his wind spells The circled crowd extends their arms Hidden gurgled voices join in their calls, my heart aches They shiver in wild and rapturous pulse, their hands raised A pillar formed by sickly flame Crawls through the air but casts no shadow Its stench envelops all surroundings With clawing grips they gather moss and fling it toward the hidden sea We join together to honor what’s older than man and will outlive him Springs promise, that green waits beneath the grim snows, as it has been Music and light, constructed in secret to fill the earth’s great halls Extended beyond by things which are learning to walk, but should crawl From unseen depths come winged horrors With forms too gruesome to describe Those that gathered ride them toward The black sea fed by oily tides A beast, though restless, somehow stays I’m urged to follow on its back I flee instead into the waves, Swept away through cold and black I wake among those who would say There is no truth to what I tell But I can’t escape from what I saw The world is tainted by that smell
3.
God of Panic 09:56
Night controls the sky with black and cold While his body lies unmoving in the grass A single star appears and shines alone It flickers through his still and silent mass Young girls passing by take pause to see In whispers they laugh at what they’ve found He rises to pursue, the maidens flee His hooves loose gravel from the ground Men construct a home where he can rest That ascends, in marble, toward the sun Some, in mourning, weep, and some protest But still they build until their work is done His image traced in stone reflects the moon From high above his eyes sit wide and still He travels through the woods to see his tomb Then slips away like shadow toward the hills A face on the wall with its eyes set white as empty shells With mouth open smiles at the secret words it once could tell The names of the gods and the houses where they once were seen His smile hints at madness and the truths inside of dreams Panic borne by coming day Takes all sight and sense away Desperate to escape the gaze of carven eyes Aimless, running forward into the fading night Dawn fills the sky and the low trees fail to hold the dark Passing through the leaves, the light thrusts itself within the bark Branches creak and splinter and erupt in shards of curling wood Blanketing the ground where the vanished god and man once stood Paths marked by cloven feet At a single point will meet In clearing lit by morning the ground sits cold and low The temple’s white foundation reflects the new sun’s glow Wind from below draws a rain of dirt and blackened leaves Groans from the walls as its covered surfaces are freed Hidden things upset by intrusion and incoming light Reveals what’s at rest, what is not within a mortal’s sight Bodies stored in waiting pose Skin wound tight on ancient bone In place to serve forever, their master from the fields Their eyes move as the sound of distant hooves draws near Pulled by wooden shackled bearing Before the hidden steed The smell of anchored travels breach the oily fissure’s crowning speed Pummeled rites the halted march Its lingered horror spoiled Radiates in crooked lines, its clay cold hands through bared earth coils Grasping over land, it holds He has them.
4.
Summer’s warmth drifts away As autumn’s gown descends Still untorn by the winds Still safe from winter’s grey Yellow forests cry Women stand alert Their swollen bellies churn Invigorated they reply With voices loud and bright Their faces ooze allure Their lips part Ecstatically and as one they recite “Women, in summer wait for love And you, born of woman, must prepare To stab and burden whom you can and if they won’t conceive, continue to another who is bare” Their skirts, like branches fraught with leaves Spread like a path Cut through dark woods that leads Men toward their task May she that bears no fruit die in shame Autumn turns greenery to gold Dead leaves fall, collecting on the ground Baryba’s face is hidden deep below. The women strain to hear the roar they know he’ll cry when he’s found They plead “Baryba, let us know Where your head rests, Now that our wombs have grown Our forms attest That we have carried fruit in your name” “Forest, show me where he waits!” Point where we must go!” They dig through fallen leaves While their bellies stretch and grow Their weary bodies sink But still they wander on They lift themselves and run With what strength has not yet gone The glowing sun soars high To perish behind trees Where frantic voices fly And pursuing women plead “Forest, show me where!” Trees shiver and obey Their leaves pour Inviting those still in search to exclaim “Here is god! His stone head revealed!” They kiss his face and meet his static glare “Accept what we bring, This small fruit we yield. Forgive us, this was all that we could bare” They dance for their god His face now concealed By children born to those assembled there
5.
Cassap 13:23
A field lies empty and her legs lie open to the ground, unspoiled, where no man has stepped Her voice, projected through the earth, her mouth is placed beside a hole where her song is kept A hiss sounds in reply Her eyes directed to the sky Serpents gathered from their nests surround the prostrate maiden, as her song had said They slither and they wrap themselves around her naked form, revealing only hair and head Their mouths drip in pools upon her chest They hold their grip, constricting every breath Then loosen, and in an instant all are gone Beneath the ground they hiss with her in song Away, from the walls, through the gate Lightly she treads on the grass She runs, but lets no sound escape No word, no cry at her pass All creatures cease their chatter as they stare Their heads bowed at her sight The hunting owl glides silent through the air The rabbit pauses in its flight Obscured is the path toward the hill Bushes cast shadows from the stars A crowd, waits expectant, voices still They witness her coming from afar

about

=== PRE-ORDER NOW ===

EU store: metalodyssey.8merch.com
US store: metalodyssey.8merch.us

COMPACT DISC
(incl. Bandcamp Digital Download and Streaming)
• Limited to 200 copies
• Jewel Case
• 8-page booklet with lyrics
____________________

YAAROTH is the doom/progressive rock project of Dan Bell, an American musician and artist originally from Rochester, NY. In the past he has done some artwork for ORODRUIN and BLIZARO, but Bell is above all an extraordinary rock singer, a talented guitarist and a refined composer.
Once known as YARROW, the band has recently been renamed YAAROTH and for the occasion Bell has reworked a promising demo from 2015 with Samuel Nells on drums. Enriched and expanded with unreleased chapters, it has become the intriguing debut of "The Man In The Wood," an album of timeless rock music for our times which finds a further reason for its appeal in an amateur and underground recording.

Everything revolves around the folk poetry of Dan Bell, sublimated in delicate melodies that gradually swell up to explode in uncontainable electric bacchanalia, without losing an ounce of elegance and melodic richness.
Dan Bell is a new Pan who has replaced the flute with an imperious voice, which in terms of its breathtaking expressiveness and range even recalls those of Jim "The Doors" Morrison and the legendary Tim Buckley.
No less intense is his writing, which – to simplify – combines English folk with Black Sabbath’s proto-doom and High Tide’s esoteric prog, reawakening long-dormant memories and sensations.

credits

released March 3, 2023

Dan Bell – bass, guitar, vocals
Samuel Nells – drums (tracks 2, 3, and 5)

with
Will Hoback – session drums (track 4)

Drums for tracks 2, 3, and 5 recorded at Hank’s Place, Rochester, New York
Drums for track 3 recorded at Stumbling Ground Studios, Austin, Texas

All music and lyrics by Yaaroth

Artwork by Dan Bell
Layout by Francesco Gemelli
______________
Cat. Nr. IVR203

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Obscure, unique, and uncompromising visions from the Metal Underground.

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