Enter The Dagobah Core

by UMBAH

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Jem Newlyn
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Jem Newlyn I simply do not own a more schizophrenic record with as many metal-mixed styles as this. The best description I can give is that it's like visiting a deep space alien sex club and trying drugs from another galaxy - and then it starts getting weird! "The drones, they keep exploding" is burned into my mind. Favorite track: Dr. Geiger.
flightoficarus (Metal Trenches)
flightoficarus (Metal Trenches) thumbnail
flightoficarus (Metal Trenches) Despite the schizoid atmosphere, tracks like “Temple Bar” still manage to have an endearing pop sentiment. One never knows when to expect death grunts or hybrid Bowie/Manson spoken word. Mike Patton could have fronted this madness with pride. It is an avant garde mashup of Ministry with MSI. Complete sci fi insanity. Review on Metal Trenches: metaltrenches.com/reviews/dagobah-system-125 Favorite track: Bolderok Naron.
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    CD in jewel case with 12-page full color booklet complete with lyrics

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CD in jewel case with 12-page full color booklet complete with lyrics

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"Enter The Dagobah Core" is the new and boldest example of UMBAH's techno-organic metal. The industrial death/grind of the past has gone through a new synaptic revolt, upgraded to the next level of iconoclasm and creativity, transfigured into something else by harsh electronics, jazz-tinged arrangements and dark, schizophrenic melodies.

This is a revolution.

The future sounds of extreme metal, today.

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Born in 1990 by the will of Cal Scott, once guitarist for UK's death/grind act Necrosanct, UMBAH is the metal equivalent of the indecipherable nightmares of an alien computer-god with serious mental illness and destructive appetites. "I compute, therefore I am", he repeats to himself while he deletes with a simple gesture what's left of the human race: a file into a recycle bin, waiting for permanent erasure...

Only partially assimilable to other sonic extremists like Cephalic Carnage, Obscura, The Berzerker, Meshuggah, Fear Factory and Skinny Puppy, UMBAH speaks with its own voice. Despite the countless albums behind his back, Cal Scott's approach is still that of a space explorer. He ventures into unknown territories hungry with new experiences and discoveries, and not afraid of experimenting with complex mechanical textures and contaminated metal sounds.

credits

released February 11, 2012

Written and performed by Cal Scott.

I, Voidhanger Records - 2012

Car. No. IVR008

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